The Case of the Scorpion’s Tail begins with the mysterious death of a millionaire and spirals into the murder of his suddenly rich wife, which draws the attention of a dogged investigator, who follows a trail of blood to the bitter end.

John Milius’s jingoistic direction and pulpy screenplay fit perfectly into this film version of the Robert E. Howard fantasy story of the sword and sorcery hero, Conan the Barbarian. The story begins when a horde of rampaging warriors massacre the parents of young Conan and enslave the young child for years on The Wheel of Pain. As the sole survivor of the childhood massacre, Conan is released from slavery and taught the ancient arts of fighting. Transforming himself into a killing machine, Conan travels into the wilderness to seek vengeance on Thulsa Doom (James Earl Jones), the man responsible for killing his family. In the wilderness, Conan takes up with the thieves Valeria (Sandahl Bergman) and Subotai (Gerry Lopez). The group comes upon King Osric (Max Von Sydow), who wants the trio of warriors to help rescue his daughter who has joined Doom in the hills.

Andy and Thelma, an urbanite couple living in Madrid, leave their apartment for a pleasant day around the city with their dog. They cross paths with Bruno and Anne, a strange couple who invite them to their foreboding country estate. A storm hits that evening and the two stay overnight. The couples engage in a bit of harmless communication with spirits via ouija board, but soon past conflicts arise Thelma had an affair with Andy’s brother, and Anne criticizes Bruno over his attempted suicide. This is only the beginning of all the horrors that will haunts them in the house.

The legendary Loreley has been living for centuries in a grotto beneath the river Rhein in Germany. Every night when the moon is full, she turns into a reptile-like creature craving for human blood. When one girl after another of a nearby boarding school is killed by her, a hunter named Sirgurd is engaged to kill the monster.

Adaptation of Shakespeare’s Antony and Cleopatra, a historical drama that attempts to bring an epic visual style to the Bard’s original stage play. The story concerns Marc Antony’s attempts to rule Rome while maintaining a relationship with the queen of Egypt (Hildegarde Neil), which began while Antony was still married. Now he is being forced to marry the sister of his Roman co-leader, and soon the conflict leads to war.