Has-been director Harry Dawes gets a new lease on his career when independently wealthy Kirk Edwards hires him to write and direct a film. They go to Madrid to find Maria Vargas, a dancer who will star in the film. Millionaire Alberto Bravano takes Maria from Kirk. Count Vincenzo Torlato-Favrini takes Maria from Alberto.

Is a provocative, haunting, and compassionate examination of the isolating and often misunderstood path of personal redemption and spiritual service in contemporary society. Composed of alternating sequences of daytime and nighttime episodes, the film presents a recurring visual dichotomy that illustrates the polarizing division between wealth and poverty, spirituality and materialism, vanity and humility, selfishness and benevolence.