Nana Patekar
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Uday Shetty and Majnu Bhai have left the underworld, and are now big businessmen. Two women, Chandni and Maharani, enter their life. Chandni is the new love in Uday Shetty and Majnu’s life and both friends dream of tying the knot with her. However, Appa – Uday’s father, plays spoilsport by bringing in his other daughter, Ranjana. He tells Uday Shetty to get her married to someone from a good family. Maharani puts a condition that only after her sister is married, will Chandni will marry one of them. Now, a search to find a suitable husband for Ranjana starts.
Ask any parents and the most common problem being faced by them in the current times will bring out the real picture of the educational institutes functioning in our present social system. Fast moving towards the extreme commercialism of this noble profession, the schools and colleges of every major city are no-where less than any corporate business houses running with the sole motive of profits. Have they forgotten their actual task of imparting education to the future generation and Have they completely given up the nobleness of the profession….are the questions raised by this well intended project aptly titled “Paathshaala”.
