Natalie Gavin
Sparks fly after Ali and Ava meet through their shared affection for Sofia, the child of Ali’s tenants whom Ava teaches. Ali finds comfort in Ava’s warmth and kindness while Ava finds Ali’s complexity and humour irresistible. As the pair begin to form a deep connection they have to find a way to keep their newfound passion from being overshadowed by the stresses and struggles of their separate lives and histories.
Hector has been living on the motorways for years. His once comfortable family life has been replaced by a never-ending tour of service stations that offer him shelter, anonymity, washing facilities and food. The story follows his journey south from Scotland on his annual pilgrimage to a temporary Christmas shelter in London where he finds comfort, friendship and warmth. Over the course of his Homeric journey, Hector decides to reconnect with his long estranged past. As his previous life catches up with him, the story of how he came to be leading a marginal life begins to emerge.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
