A bittersweet comedy with dogma star Paprika Steen in the strong leading role.

The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.

Two bumbling scrap metal thieves – father and son – steal the wrong painting during a museum heist. The painting turns out to be the only original Rembrandt painting in Denmark, and all hell breaks loose. What do you do when you’ve got Interpol, the Danish police and the entire Danish underworld on your heels? And who was this Rembrandt guy anyway?

Ronal is a young barbarian with low self-esteem, the polar opposite of all the muscular barbarians in his village. He’s a real wuss. However, as fate would have it, responsibility for the tribe’s survival falls on Ronal’s scrawny shoulders, when the evil Lord Volcazar raids the village and abducts every living barbarian with the exception of Ronal, who is forced to go on a perilous quest to save his enslaved clan and thwart Volcazar’s plot to rule the world. Along the way, our unlikely hero is joined by Alibert the buttery bard, Zandra the gorgeous shield-maiden and Elric the metrosexual elfin guide. To ultimately vanquish the enemy, the band must overcome awesome challenges.