The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.

In the occupied Netherlands during World War II, banker Walraven van Hall (Barry Atsma) is asked to use his financial contacts to help the Dutch resistance. He doesn’t have to think about it for long. With his brother Gijs van Hall (Jacob Derwig), he comes up with a risky plan to take out huge loans and use the money to finance the resistance. When this proves not enough, the brothers set about committing the biggest banking fraud in Dutch history, taking tens of millions of guilders out of the Dutch Central Bank – right under the noses of the Nazis. But the bigger the operation gets, the more people it involves. And every day brings a bigger risk of someone making that one mistake that could put an end to the whole business – and the lives of the resistance bankers.

On 23 May 2010, 21-year-old Tonio van der Heijden was hit by a car and taken in a critical condition to hospital, where he died. A tragic event that drastically changed the lives of his parents, who watched their only son pass away in intensive care. Reminded of his life by everything around and inside them, Tonio’s life left a legacy of phantom pain for his parents who mourn, and struggle to prevent their own lives from being dragged into a downward spiral of sorrow.

On his birthday, a hitman reluctantly takes on the easy task of killing a writer, only to find the job a lot more difficult than expected.

Borgman is the central character in Alex van Warmerdam’s dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.