The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, Prosecutor Letizia Ruggeri only has one tenuous lead — a bit of DNA that is not much help without a database to compare it to. Based on a true story.

Five friends Freccia, Bruno, Tito, Jena and Boris are very keen on music but they live in a little town in northern Italy and spend most of their days at the local bar. They decide to set up an independent radio which soon becomes the voice of a generation. When Freccia dies from an overdose the radio takes his name.

When six pals escape the chaos of the city for a brief getaway, the manor home they rent in the countryside may not be so idyllic after all… The party mood soon sours as strange phenomenon begins. The group initially attempts to rationalize the occurrences, but they soon escalate into horrifying paranormal events and, ultimately, the apparent possession of Giorgio. Desperate, the terrorized group pleads with the local priest to exorcise the unholy force. But its demonic powers may be more than he can handle… and a bigger menace than any of them could have imagined.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.