Francis, the son of a corrupt TV preacher, tumbles down a hallucinatory rabbit-hole of sex, drugs, aliens, fratricide, and planetary apocalypse in this twisted take on the life of Saint Francis.

Depicts a heist of old bills, retired from circulation and destined by the government to be “money to burn”. However, more broadly, it addresses the issues of Black Americans’ involvement in the Vietnam War and their subsequent disillusionment with progress in social issues and civil rights back home in the United States, during the 1960s.