The Phantom Tollbooth, based upon the children’s adventure novel by Norton Juster, tells the story of a bored young boy named Milo. Unexpectedly receiving a magic tollbooth and, having nothing better to do, Milo drives through it and enters a kingdom in turmoil following the loss of it’s princesses, Rhyme and Reason.

If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

A couple try to leave the Communist party after a murder by the group they were once loyal to.