Steve Tom
A disgruntled summer-stock actor contemptuously disregards the superstition surrounding Shakespeare’s tragedy, Macbeth and, by doing so, unleashes the curse of ‘The Scottish Play’ and wreaks havoc on the company.
Private eye Roland Drake cracks cases and romances femme fatales in 1940’s Los Angeles while corrupt cop Det Barry Tate rules the city. A tale told in the classic style of film noir. Drake has fallen on hard times in a harsh world. He has been evicted from his office and disgraced by a missing persons case. Ruined in the public eye and with the police. it seems like it’s all over for Roland Drake. Then, redemption walks in – with curves. The owner of those curves is a sexy, dark haired beauty named Katherine Montemar. She wants his help. The chemistry is immediate and her concern for the disappearance of her family members pulls him into her case – and into bed.
When their computer hacker friend accidentally channels a mysterious wireless signal, a group of co-eds rally to stop a terrifying evil from taking over the world.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.
