Sue Johnston
Sarah seems to have found her calling working in a Liverpool care home where she has a special talent for connecting with the residents. Then, in March 2020, the Coronavirus pandemic hits.
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Amy Dorrit spends her days earning money for the family and looking after her proud father who is a long term inmate of Marshalsea debtors’ prison in London. Amy and her family’s world is transformed when her employer’s son, Arthur Clennam, returns from overseas to solve his family’s mysterious legacy and discovers that their lives are interlinked.
Bel, after spending the past 18 years as a homemaker, steps in to save the family business in a failing family run beauty salon in Manchester’s Northern Quarter. Family feuds and bitter rivalries, professional and personal, escalate in the salon amongst the Botox, fillers and facelifts.
During her wedding ceremony, Rachel notices Luce in the audience and feels instantly drawn to her. The two women become close friends, and when Rachel learns that Luce is a lesbian, she realizes that despite her happy marriage to Heck, she is falling for Luce. As she questions her sexual orientation, Rachel must decide between her stable relationship with Heck and her exhilarating new romance with Luce.
Henry Harding MP, a British government minister on a moral crusade, hires an inexperienced young computer whizzkid, Peter Emery who works for a Christian computer company called Holy Hardware, to infiltrate the United Kingdom BDSM scene.
A small Yorkshire mining town is threatened with being shut down and the only hope is for the men to enter their Grimley Colliery Brass Band into a national competition. They believe they have no hope until Gloria appears carrying her Flugelhorn. At first mocked for being a woman, she soon becomes the only chance for the band to win.
A young governess, Ann, is sent to a country house to take care of two orphans, Miles and Flora. Soon after her arrival, Miles is expelled from boarding school. Although charmed by her young charge, she secretly fears there are ominous reasons behind his expulsion. With Miles back at home, the governess starts noticing ethereal figures roaming the estate’s grounds. Desperate to learn more about these sinister sightings she discovers that the suspicious circumstances surrounding the death of her predecessor hold grim implications for herself. As she becomes increasingly fearful that malevolent forces are stalking the children the governess is determined to save them, risking herself and her sanity in the process.
