Sylvia Chang
A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.
Luo Hongwu returns to Kaili, the hometown from which he fled many years ago. He begins the search for the woman he loved, and whom he has never been able to forget.
Yvonne is a divorced middle-aged Chinese immigrant who thinks her life is over, and she is doomed to spend the rest of her days as a slave to her large and eccentric family. Suddenly, romance enters her life and Yvonne gets a long deferred chance for true love. However, she falls for the last person a Chinese family would ever accept, Jose, a Mexican-American dentist. It doesnt matter what race or culture youre from, deep down inside we are the same. And from this lesson Yvonne and her family begin to love each other for who they are and to accept Jose into the family.
The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.
A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparkles a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.
Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother
The film tells the story of a retired and widowed Chinese master chef Chu (Si Hung Lung) and his family living in modern day Taipei, Taiwan. At the start of the film, he lives with his three attractive daughters, all of whom are unattached. As the film progresses, each of the daughters encounters new men in their lives. When these new relationships blossom, the stereotypes are broken and the living situation within the family changes.. The film features several scenes displaying the techniques and artistry of gourmet Chinese cooking. Since the family members have difficulty expressing their love for each other, the intricate preparation of banquet quality dishes for their Sunday dinners is the surrogate for their familial feelings.
Twins, separated at birth, end up as a Hong Kong gangster and a New York concert pianist. When the pianist travels to Hong Kong for a concert, the two inevitably get mistaken for each other.
