Tessie O'Shea

Bedknobs and Broomsticks

Bedknobs and Broomsticks

Bedknobs and Broomsticks

IMDb: 7.0
1971
117min

Three children evacuated from London during World War II are forced to stay with an eccentric spinster (Eglantine Price). The children’s initial fears disappear when they find out she is in fact a trainee witch.

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The Russians Are Coming, The Russians Are Coming

The Russians Are Coming, The Russians Are Coming

The Russians Are Coming, The Russians Are Coming

IMDb: 7.1
1966
126min

Without hostile intent, a Soviet sub runs aground off New England. Men are sent for a boat, but many villagers go into a tizzy, risking bloodshed.

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The Blue Lamp

The Blue Lamp

The Blue Lamp

IMDb: 6.9
1950
84min

P.C. George Dixon (Warner) a long-serving traditional “copper” who is due to retire shortly, takes a new recruit, Andy Mitchell (Hanley), under his aegis, introducing him to the easy-going night beat. Dixon is a classic Ealing ‘ordinary’ hero, but also anachronistic, unprepared and unable to answer the violence of Tom Riley (Bogarde). Called to the scene of a robbery at a local cinema, Dixon finds himself face-to-face with Riley, a desperate youth armed with a revolver. Dixon initially tries to talk Riley into surrendering the weapon, but Riley panics and fires. Dixon walks to his own death almost uncomprehending. Dixon is taken to hospital, but dies some hours later. The ending is another Ealing quirk, with ordinary decent society, including ‘professional’ criminals used to violence, banding together to track down and catch the murderer, who is trapped in the crowd at White City greyhound track in west London. To Andy Mitchell falls the honour of arresting Riley.

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The Way Ahead

The Way Ahead

The Way Ahead

IMDb: 7.1
1944
115min

A mismatched collection of conscripted civilians find training tough under Lieutenant Jim Perry (David Niven) and Sergeant Ned Fletcher (William Hartnell) when they are called up to replace an infantry battalion that had suffered casualties at Dunkirk. Original Story by Eric Ambler – Screenplay by Eric Ambler and Peter Ustinov – Directed by Carol Reed.

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