Pan Xiao, a young lawyer, goes to a rural small village settled in the western desert lands of China to handle the case of a falcon poacher who has ran over a policeman. Pan wins the case through sophisticated reasoning and forces the poacher to give him his car as a reward. Then, he just drives back home, but the return will not be an easy one.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

Adapted from the famous stage play of the same name, Devil And Angel (E Gun Tian Shi) follows Zha, played by Sun Li, a top student with a high IQ, who goes on a journey with Mo, played by famous Chinese comedy actor Deng Chao, a professional debt-collector and sometime hooligan, in order to face down her own neurosis, as well as cure Mo of his extreme insomnia.

When archaeologist Shirley Yang learns of her father’s disappearance, she returns to China and enlists the help of tomb raiders to track him down.

Chen Yong, a drug dealer, selling a forbidden but effective drug for chronic myelocytic leukemia.