Álex de la Iglesia
A group of spanish tourists in Venice finds themselves fighting for their lives against locals that are not too keen on foreigners.
In this heist film turned horror fest, director Álex de la Iglesia’s love of mayhem is on full display as a gang of gold thieves lands in a coven of witches who are preparing for an ancient ritual — and in need of a sacrifice.
Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible (Angulo), a death metal salesman from Carabanchel (Segura), and the Italian host of a TV show on the occult (De Razza). These go on a literal “trip” through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
During a lunar eclipse, seven friends gather for dinner and decide to play a game in which they must share with each other the content of every message, email or phone call they receive throughout the evening.
His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi’s personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia’s unique perspective, Messi recreates the player’s childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.