Anatole Litvak

Five Miles to Midnight

Five Miles to Midnight

Five Miles to Midnight

IMDb: 6.4
1962
110min

Immediately after Lisa (Loren) declares that she is leaving her immature, abusive, but easy-going husband Robert (Perkins), he is reported dead in a plane crash. Secretly still alive, he convinces her to collect his life insurance, although she knows that it’s a bad idea. Lisa must contend with the complications of the scheme, which involve an aggressive suitor (Young), Robert’s jealousy, and her own guilt.

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The Night of the Generals

The Night of the Generals

The Night of the Generals

IMDb: 7.3
1967
148min

The murder of a prostitute in Nazi occupied Warsaw draws Wehrmacht Major Grau into an investigation where the evidence points to one of three high ranking Generals. The trail leads Grau from Warsaw to Paris and straight into the 1944 plot to assassinate Adolf Hitler, of which two of the Generals are deeply involved. Grau’s case goes unfinished and it is not until 1965 when the true killer is brought to justice.

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Anastasia

Anastasia

Anastasia

IMDb: 7.1
1956
105min

Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.

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Napoleon

Napoleon

Napoleon

IMDb: 7.5
1927
332min

A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.

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Sorry, Wrong Number

Sorry, Wrong Number

Sorry, Wrong Number

IMDb: 7.5
1948
89min

Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.

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