Elizabeth Linell
Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside.
A stillborn baby girl is abducted by a deranged morgue attendant and brought back to life by electro-kinetic power. On her sixteenth birthday, traumatized Tess escapes captivity and sets out to find her birth mother leaving a trail of horrifying violent destruction and chilling chaos behind her.
Rachel decides to take her three year old daughter to daycare. As the days pass, the woman feels that the teacher turns too with her daughter, reaching an almost obsessive relationship.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.