Set in Bertolucci’s ancestral region of Emilia, the film chronicles the lives of two men during the political turmoils that took place in Italy in the first half on the 20th century.
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A homeless veteran battles to survive against his demons in the remote Highlands of Scotland
A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.
Naive and idealistic Jefferson Smith, leader of the Boy Rangers, is appointed on a lark by the spineless governor of his state. He is reunited with the state’s senior senator–presidential hopeful and childhood hero, Senator Joseph Paine. In Washington, however, Smith discovers many of the shortcomings of the political process as his earnest goal of a national boys’ camp leads to a conflict with the state political boss, Jim Taylor. Taylor first tries to corrupt Smith and then later attempts to destroy Smith through a scandal.
Yoona has managed to mature into a fine woman despite her rough childhood. One day, when Yoona finds out that her mother has become ill, she travels home for the first time in a long while. However, this trip doesn’t become what Yoona was expecting it to be…
Russian exiles in Paris plot to collect ten million pounds from the Bank of England by grooming a destitute, suicidal girl to pose as heir to the Russian throne. While Bounin is coaching her he comes to believe she is really Anastasia. In the end the Empress must decide her claim.
14-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.
A beautiful, strong-willed young royal refuses to wed the cruel sociopath to whom she is betrothed and is kidnapped and locked in a remote tower of her father’s castle. With her scorned, vindictive suitor intent on taking her father’s throne, the princess must protect her family and save the kingdom.
In the dark heart of a sprawling, anonymous city, “Terminal” follows the twisting tales of two assassins carrying out a sinister mission, a teacher battling a fatal illness, an enigmatic janitor and a curious waitress leading a dangerous double life. Murderous consequences unravel in the dead of night as their lives all intertwine at the hands of a mysterious criminal mastermind hell-bent on revenge.
Bonnie and Clyde is a two-part film about two Depression-era outlaws, starring Emile Hirsch as Clyde Barrow and Holliday Grainger as Bonnie Parker. It is based on the true story of Clyde Barrow, a charismatic convicted armed robber who sweeps Bonnie Parker, an impressionable, petite, small-town waitress, off her feet, and the two embark on one one of most infamous bank-robbing sprees in history.
Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.
Out of work TV cameraman Ron Kobelski is approached by his formerly reclusive neighbor Walter Ohlinger. Ohlinger claims that he was the mysterious “second gunman” that shot and killed President Kennedy. Ohlinger has kept quiet all these years, but has decided to tell his story now that he has been diagnosed with terminal cancer. Kobelski is skeptical of his neighbor’s story, after his investigations provide ambiguous answers. His attitude changes, however, after he receives threatening messages on his answering machine, and spots shadowy figures in his backyard. Is Ohlinger telling the truth? Or is there a bigger conspiracy at work?
