An ex-Hollywood screenwriter now teaching an evening class in New York finds himself in a battle of wits with a devious screenwriter student.
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Stand-up comedian Kate thinks her life has no meaning and is not worth continuing. When she’s diagnosed with breast cancer, even the universe seems to agree with her. However, a close encounter with death – and four other women on the chemo ward – might just change her mind and even her life.
A stressed-out police officer struggles not to give in to the paranoia that grips his small mountain town as bodies turn up after each full moon.
Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.
12 American military prisoners in World War II are ordered to infiltrate a well-guarded enemy château and kill the Nazi officers vacationing there. The soldiers, most of whom are facing death sentences for a variety of violent crimes, agree to the mission and the possible commuting of their sentences.
On the afternoon of July 1, 1981, Los Angeles police responded to a distress call on Wonderland Avenue and discovered a grisly quadruple homicide. The police investigation that followed uncovered two versions of the events leading up to the brutal murders – both involving legendary porn actor John Holmes. You’re about to experience both versions.
An android fighting-machine (Mario Van Peebles) is charged with destroying a small brigade of rebels in a Latin American war who are fighting to maintain their freedom and protect their village. Contrary to his programming, Peebles decides to stay and assist the rebels in their plight. Having gained this information, his “creators” develop a more powerful android to try and defeat him.
A member of British Intelligence assumes a fictitious criminal identity and allows himself to be caught, imprisoned, and freed in order to infiltrate a spy organization and expose a traitor.
In the wake of his father’s suicide, young record collector Ollie Sway returns to the family lake house with his friend Nikolai in tow to lay claim to an invaluable jazz recording. An unexpected visit from Ollie’s estranged grandmother and a chance encounter with a girl from across the lake derail their search, forcing them to confront the Sway family history and a suffering that has resounded through generations.
Law was a chauffeur for the rural tycoon Luk, and he was jailed for killing a major land owner in a car accident. It was rumored that Luk was behind the land owner’s death, which gave Luk a competitive edge in the native apartment development deal. When Law gets out of prison five years later, the world has changed. Luk’s corporation has grown more powerful, while Luk’s right-hand man Keung has his own agenda to pursue. But things take a surprising turn. With the help of Law’s prison mate and computer whiz Joe, Law drugs Sean and his brothers in the drinks, then modify their mobile phones for wiretapping, Joe gets acquainted with the materialistic single mom Eva, who turns out to have a dark history with both Law and Keung. Through the eavesdropping, Law realizes Keung’s ultimate plan, which may change Hong Kong’s land development forever.