A boy attempts to deal with his mother’s illness and the bullying of his classmates by escaping to a fantastical world.
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A filmmaker recalls his childhood, when he fell in love with the movies at his village’s theater and formed a deep friendship with the theater’s projectionist.
Story follows young man Strahinja who is in love with a local beauty Radojka, but their relationship has an obstacle – her father Zivan, who considers Strahinja as nothing but a loser. To prove that he’s able to take care of himself and his future bride, Strahinja agrees to take vacancy in village mill… But, mill is known as a place where no one meets the dawn alive…
Astrid is a comedian who makes people laugh for a living; her husband Markus is her manager and the two of them work well together. They have a nine-year-old daughter and are expecting their second child. When they learn that their child will not be born healthy, they are at first optimistic that they will be able to meet this challenge – although they have no idea what awaits them. But the closer it gets to the due date, the more Astrid begins to worry about the future of her unborn child as well as that of her family and her career. After many discussions and arguments Astrid realises that the decision that will affect all their lives must be made by her alone. What complicates matters further is the fact that, as a successful entertainer, she is in the eye of the public and the media.
Jean-Luc Godard’s and Jean-Pierre Gorin’s interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
A burned-out ex-Navy SEAL and an emotionally-damaged firefighter work together as handymen in Tidewater Virginia. Things turn surreal when a simple renovation job becomes a journey to another world to rescue their client from a trans-dimensional witch bent on revenge in this imaginative take on Grace Sherwood-the Witch of Pungo.
When 12-year-old Mickey Miller moves from New York to Ireland, she soon discovers a link between herself and the 300-year-old legend of the mysterious Black Knight, who regularly haunts the sleepy Irish village. With courage and a sharp mind, she sets out to save a precious herd of white horses and to thwart the evil plans of a greedy, ambitious woman.
In the city of 9 Million people everyone is engulfed in the everyday rat race chasing that almighty dollar. This movie tells the story of one of its own ‘Carter Blanche’. Carter has staked his claim to the American dream. But history teaches us that behind every wealthy empire is a major crime; and Carter’s rise to power is no exception. Trying to go legit, he is faced with deception, betrayal, and self serving agendas from those closest to him and must maneuver his way through all those who want to crumble what he has built. As he determines who’s friend or foe. The decisions Carter makes can, and will cost lives.
In a summer they won’t forget, two broke college students start filming parties for money. Hello dollar signs. Goodbye morals. Welcome to the night club scene.
Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.
A yoga-practicing, chai latte drinking, incense burning rich girl hires a camera crew to document her journey to enlightenment as she attempts to attain nirvana and shed her ego. She embarks on a path of self-discovery – confronting her past, her painful present, and the oxymoronic Los Angeles spiritual scene as well as worldwide theology at large.