August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.
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As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
After several years of living with a cult, Martha finally escapes and calls her estranged sister, Lucy, for help. Martha finds herself at the quiet Connecticut home Lucy shares with her new husband, Ted, but the memories of what she experienced in the cult make peace hard to find. As flashbacks continue to torment her, Martha fails to shake a terrible sense of dread, especially in regard to the cult’s manipulative leader.
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
Based on the experiences of Nebraska cop Kathryn Bolkovac (Rachel Weisz) who discovers a deadly sex trafficking ring while serving as a U.N. peacekeeper in post-war Bosnia. Risking her own life to save the lives of others, she uncovers an international conspiracy that is determined to stop her, no matter the cost.
Miller lives alone in an abandoned Alabama slaughterhouse. His memory and sanity are shattered and his only company is the spirit of his lover, who was murdered a decade ago. Ruth arrives, desperate to discover the truth about her mother’s death. She stays with Miller for three nights. Together they piece together the fragments of his memory, but they are horrified at what they uncover.
A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder…then another…then another. The killer has Joel’s attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price?