Will Freeman is a hip Londoner who one day realizes that his friends are all involved with the responsibilities of married life and that leaves him alone in the cold. Passing himself off as a single father, he starts to meet a string of single mums, confident in his ability to leave them behind when they start to ask for a commitment. But Will’s hope of a continued bachelorhood is interrupted when he meets 12-year old Marcus, in many ways his complete opposite.
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Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
Secret agent Harry Hannan suffers a mental breakdown when a botched mission in Mexico results in the death of his wife. He is sent to a mental asylum, after which he eventually returns to work. But, once again, he begins to doubt his sanity when he receives a bizarre death threat written in Hebrew. Not knowing which of his colleagues wants to kill him, Hannan teams up with pretty young college student Ellie Fabian to attempt to unravel the mystery.
Haru, a schoolgirl bored by her ordinary routine, saves the life of an unusual cat and suddenly her world is transformed beyond anything she ever imagined. The Cat King rewards her good deed with a flurry of presents, including a very shocking proposal of marriage to his son! Haru embarks on an unexpected journey to the Kingdom of Cats where her eyes are opened to a whole other world.
The controversial bad-boy of comedy delivers a piercing look at his life, lifting the metaphorical smokescreen that he feels has clouded the public view, commenting on everything from the dangers of smoking to the trials of relationships, and unleashing a nonstop litany of raucous anecdotes, stinging social commentary and very personal reflections about life.
Max Fischer, a precocious and eccentric 15 year-old, who is both Rushmore’s most extracurricular and least scholarly student; Herman Blume, a disillusioned industrialist who comes to admire Max; and Rosemary Cross, a widowed first grade teacher who becomes the object of both Max’s and Herman’s affection.
Rudy grew up in a steel mill town where most people ended up working, but wanted to play football at Notre Dame instead. There were only a couple of problems. His grades were a little low, his athletic skills were poor, and he was only half the size of the other players. But he had the drive and the spirit of 5 people and has set his sights upon joining the team.
Emma Norman spends a wild Spring break holiday on Mintners Cove beach, California, with her female friends, Lori, who seeks a new fling and academic Stefanie. There, slick stud Greg Vlasi gives them a good time and shoots video of them on beach and yacht (possibly drugged and/or drunk). The video is doctored and released onto the internet as porn distributed by Nick Bronson in LA. Soon Emma’s promising career as Minneapolis school teacher is over. Her fireman fiancé David in home small-town Prairie dumps her, even her dad’s firm gets boycotted.
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.