The first half of this film, set hundreds of years ago, shows how the old man who eventually became Santa Claus was given immortality and chosen to deliver toys to all the children of the world. The second half moves into the modern era, in which Patch, the head elf, strikes out on his own and falls in with an evil toy manufacturer who wants to corner the market and eliminate Santa Claus.

Set in a dirt-poor neighborhood in the fictional city of San Lovisa, Texas, EvenHand tells the story of two very different cops, working together for the first time. Rob Francis, recently divorced, finds the adjustment from his previous assignment in “Sleepytown” difficult. With his new partner, the volatile Ted Morning, he spends his days breaking up domestic disputes and attempting to make sense of a parade of lowlifes, firebugs and junkies. Morning is the original Texas cowboy, all muscle and bravado: arrest ’em first, ask questions later. The characters and events in EvenHand subtly intertwine until Francis and Morning must both face the consequences of their very different approaches to the job. Filmed on location in San Antonio, Texas, EvenHand is a police story, but it’s not about car chases or shoot-outs. It’s about two cops struggling to survive in a world where, without warning, numbing routine can give way to primal fear.

A nine-year-old boy gets a plastic Indian and a cupboard for his birthday and finds himself involved in adventure when the Indian comes to life and befriends him.

At the end of their tour of duty in Afghanistan, two young military women, Aurore and Marine, are given three days of decompression leave with their unit at a five-star resort in Cyprus, among tourists. But it’s not that easy to forget the war and leave the violence behind.

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Dr. Ryan Stone, a brilliant medical engineer on her first Shuttle mission, with veteran astronaut Matt Kowalsky in command of his last flight before retiring. But on a seemingly routine spacewalk, disaster strikes. The Shuttle is destroyed, leaving Stone and Kowalsky completely alone-tethered to nothing but each other and spiraling out into the blackness of space. The deafening silence tells them they have lost any link to Earth and any chance for rescue. As fear turns to panic, every gulp of air eats away at what little oxygen is left. But the only way home may be to go further out into the terrifying expanse of space.

Havana 1957—sin capital of the world. Mafia nightclubs, sex, drugs and gambling. A young cop witnesses a murder and must decide if he wants to play the corrupt game or go against corrupt cops and the mob with the help of a beautiful Tropicana dancer.

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver “Daddy” Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks’ mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

Mad Max becomes a pawn in a decadent oasis of a technological society, and when exiled, becomes the deliverer of a colony of children.

A silent Western star has trouble adjusting to the coming of sound.

The Big Apple’s in big trouble, as indestructible psycho-fiend Jason Vorhees hits the road to New York City. After a shocking return from beyond the grave, the diabolical Jason ships out abroad a teen-filled “love boat” bound for New York, which he soon transforms into the ultimate voyage of the damned. Then one of his terrified victims escapes into the nightmarish maze of Manhattan’s subways and sewers, only to confront Jason one final time.

A working-class family in London’s East End is struggling to stay afloat during the recession under Prime Minister Margaret Thatcher’s premiership. Only the mother Mavis is working; father Frank and the couple’s two sons Colin, a timid, chronically shy individual and Mark, an outspoken, headstrong young man, are on the dole. This situation is contrasted by the presence of Mavis’s sister Barbara, and her husband John, whose financial and social loftiness appears to be a comfortable facade over the unspoken soreness of a lackluster marriage.