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Story of four young monks left alone in their remote monastery in Myanmar. Shot entirely in newly-opened Myanmar with non-actors, the film bridges spirit, cinema, and traditional Burmese storytelling to open a view onto an unseen world.
Four women, who have their own different sorrows, embark on a road trip. They look back at their past and restart their lives… Jinko (Aoi Miyazaki) and Motoko (Sakura Ando) have been friends since their university days. One day, they hear a rumor about their former classmate and friend Miki (Kazue Fukiishi). The rumor is that Miki ran into the sea, but got out safely. Jinko and Motoko decide to visit Miki to see if she is OK. In addition, Haraki (Shiori Kutsuna), who Jinko met at the library where she works, joins their trip as a driver. Their one night and two days road trip begins.
The world is on the brink of catastrophe in a chaotic age where evil demons roam. In order to keep evil at bay, a mysterious organisation from the pugilist world emerges. A new constable and a young girl with a mysterious past are also drawn into this group, and the group embarks on an incredible adventure.
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named V. He’s unsure of her connection to the murder in the town, but is grateful for the story being handed to him. Ultimately he is led to the truth of the story, surprised to find that the ending has more to do with his own life than he could ever have anticipated.
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom.
Marian, a middle aged nurse, devotes herself to her patients like a saint. Sometimes she even takes on the role of a redeemer, by helping the gravely ill to the soothing order of ultimate silence. When she gets linked to a neighbor in an act of common voyeurism, she becomes fascinated by him. Faced with the fragility of these newfound emotions, Marian surrenders to her human needs