Elena, a young Brazilian woman, travels to New York with the same dream as her mother, to become a movie actress. She leaves behind her childhood spent in hiding during the years of the military dictatorship. She also leaves Petra, her seven year old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. She only has a few clues about her: home movies, newspaper clippings, a diary and letters. At any moment Petra hopes to find Elena walking in the streets in a silk blouse. Gradually, the features of the two sisters are confused; we no longer know one from the other. When Petra finally finds Elena in an unexpected place, she has to learn to let her go.

I AM is an utterly engaging and entertaining non-fiction film that poses two practical and provocative questions: what’s wrong with our world, and what can we do to make it better? The filmmaker behind the inquiry is Tom Shadyac, one of Hollywood’s leading comedy practitioners and the creative force behind such blockbusters as “Ace Ventura,” “Liar Liar,” “The Nutty Professor,” and “Bruce Almighty.” However, in I AM, Shadyac steps in front of the camera to recount what happened to him after a cycling accident left him incapacitated, possibly for good. Though he ultimately recovered, he emerged with a new sense of purpose, determined to share his own awakening to his prior life of excess and greed, and to investigate how he as an individual, and we as a race, could improve the way we live and walk in the world.

Two biologists set out on an undertaking as colossal as their subjects—deciphering the complex communication of whales. Dr. Michelle Fournet and Dr. Ellen Garland journey to opposite hemispheres to uncover a culture eons older than our own.

Following up on his 2007 documentary, The Most Hated Family in America, Louis Theroux returns to Topeka, Kansas, for a week-long visit with the Westboro Baptist Church. He again joins the Phelps family on their controversial pickets where they try to antagonise communities with offensive slogans and anti-gay placards. But four years on from Louis’s last visit, there are signs of disarray in the Phelps clan. A series of defections of family members has shaken up the church.

The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.

After a horrific backcountry accident leaves professional snowboarder Mark McMorris in the ICU, he fights for his life and faces an existential crisis.

The definitive, adrenaline-soaked story of the birth and boom of the most extreme sport on the planet: Freestyle Motocross.

Burroughs: The Movie is the first and only documentary to be made about and with the full participation of writer William S. Burroughs. Howard Brookner began shooting the film in 1978 as his senior thesis at NYU; with Burroughs’ cooperation it subsequently expanded into a feature completed 5 years later in 1983. The film was shot by Tom DiCillo and the sound was recorded by Jim Jarmusch; both NYU classmates. In a collaboration between Burroughs and director Howard Brookner the film explores Burroughs’ life story along with many of his contemporaries including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and Lauren Hutton. Burroughs: The Movie documents Burroughs’ long, controversial and productive life in great detail, film traveling from the American Midwest to North Africa, through defining moments of his wildly unconventional life, including several personal tragedies, charting the development of Burroughs’ unique literary style.

In less than a generation, cell phones and the Internet have revolutionized virtually every aspect of our lives, transforming how we work, socialize and communicate. But what are the health consequences of this invisible convenience? This documentary investigates the dangers of daily exposure to wireless technologies – including the devastating effects on our health from infertility to cancer – and suggests ways to reduce overexposure.

Dark City Beneath The Beat is an audiovisual experience that defines the soundscape of Baltimore city. Inspired by an all original Baltimore club music soundtrack, the film spotlights local club artists, DJs, dancers, producers, and Baltimore’s budding creative community as they are realizing their life dreams. Rhythmic and raw, these stories illustrate the unique characteristics of the city’s landscape and social climate through music, poetry, and dance. From the city’s social climate to its creative LGBTQ community, Dark City Beneath The Beat showcases Baltimore club music as a positive subculture in a city overshadowed by trauma, drugs, and violence.

A nostalgic journey through ’80s Sc-Fi-films, exploring their impact and relevance today, told by the artist who made them and by those who were inspired to turn their visions into reality.

Nearly 20 years after his death and in the run-up to his centenary, Toshiro Mifune remains a true giant of Japanese cinema.