One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome…
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The Colossal Failure of the Modern Relationship is a smart, sexy comedy that explores the truth about relationships today.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
For many years, four teenage orphans at an Australian outback convent have watched their younger comrades find new parents, and realize that they may never be adopted. The Reverend Mother sends the four boys away on a seaside vacation, where they meet Teresa and Fearless, a couple who would make perfect parents. The youths compete with one another to be the one Teresa and Fearless decide to adopt.
At the turn of the century in a Welsh mining village, the Morgans (he stern, she gentle) raise coal-mining sons and hope their youngest will find a better life. Lots of atmosphere, very sentimental view of pre-union miners’ lives.
Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels’ struggle and the increasingly extreme measures taken by the French government to quell the revolt.
Anni, a daughter of a wealthy family and used to secure life, falls in love with Veikko, a war invalid of the Continuation War. Anni leaves her past behind her and starts leading the life of a pioneer, in the wild forests of northern Karelia, in a settlement farm. After a rosy start, the fate crushes Anni’s dreams and her love for Veikko is put to a test.
From Writer/Director Marina Rice Bader (Executive Producer Elena Undone, A Perfect Ending) comes this film within a film that explores love in all its painful and messy glory. Six months ago Zoe and Mal fell for each other while filming a love scene, which led to an intense, whirlwind affair, followed by a devastating breakup. Soon after their split, things get complicated when the two have to meet on set once more to re-shoot that fateful sequence.
Truckers form a mile long “convoy” in support of a trucker’s vendetta with an abusive sheriff…Based on the country song of same title by C.W. McCall.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
Frank is a man who thinks he has lost everything, until his house is destroyed by a tornado. Then when he goes to the insurance company, he’s told they won’t pay because the damage falls under the “Act of God” exclusion in his policy. With nothing left, and nothing left to lose, he decides to sue God himself for damages, naming representatives of the world’s religions as defendants in the suit. What starts as a ridiculous stunt, becomes a beautiful, funny, soulful odyssey in which he rediscovers that love itself… requires a leap of faith.