How can emotion come to light on the opera set? Does it come from singing, acting or music? How can someone become the incarnation of Verdi’s masterpiece? Following world famous French soprano Natalie Dessay from the first repetitions until the premiere under the direction of Jean-François Sivadier, we meet a very special woman, a piece of art, a myth: LA TRAVIATA.
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A friendly troll with a magic green thumb grows one flower too many for the queen, whose laws require all trolls to be mean ugly and scare humans whenever possible. As a punishment, he is exiled to a world of concrete, where he should live a life of proper trolldom: Manhattan.
Something Like Summer traces the tumultuous relationship of Ben and Tim, secret high school sweethearts who grow over the years into both adulthood enemies and complicated friends.
Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.
It Came from Kuchar is the definitive, feature documentary about the legendary, underground filmmaking twins, the Kuchar brothers. George and Mike Kuchar have inspired two generations of filmmakers, actors, musicians, and artists with their zany, “no budget” films and with their uniquely enchanting spirits.
The film shadows Justin Peck, wunderkind choreographer of the New York City Ballet, as he undertakes the Herculean task of creating the company’s 422nd original piece. Following the creative process from its embryonic stages to its highly anticipated premiere, Ballet 422 is a powerful celebration of the skill and endurance of New York’s most talented dancers—as well as those who remain hidden in the wings.
Gloria Allred overcame trauma and personal setbacks to become one of the nation’s most famous women’s rights attorneys. Now the feminist firebrand takes on two of the biggest adversaries of her career, Bill Cosby and Donald Trump, as sexual violence allegations grip the nation and keep her in the spotlight.
No Place To Call Home chronicles the lives of several people born and raised in Jesus People USA Evangelical Covenant Church, a religious sect on Chicago’s north side. The film is essentially a story within the story as the director details how he began exploring his past of growing up in the sect, and his discovery of dozens upon dozens of cases of child sexual abuse, of which many were allegedly unreported by the sects leadership. – Jaime M Prater
Seven transgender and gender nonconforming individuals share their unique experiences with Silas Howard.
The film explores Mauro Ranallo’s career, including his work on the two biggest pay-per-view events in television history, and his relentless pursuit of a childhood dream despite seemingly insurmountable odds. Through this deeply personal portrait, Ranallo hopes that the film might inspire others to persevere in pursuing their dreams despite the challenges of a mental health condition.
A look at the life and work of Charlie Chaplin in his own words featuring an in-depth interview he gave to Life magazine in 1966.
In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.
One of the most frightening of American urban myths is the legend of The Mothman, a red-eyed creature seen by some as a harbinger of doom in 1960s rural West Virginia, where sightings of the winged demonic beast were first documented near an old munitions dump known by locals as TNT. Many believe the Mothman to be a 1960’s phenomenon, an omen only appearing before tragedy, and disappearing after a flap of sightings and the subsequent Silver Bridge collapse in 1967. But what if there’s more? What if the origins of this omen trace back much further and go much deeper than anyone realized? And what if…the sightings never ended?