Ash Mayfair’s reworking of her acclaimed film THE THIRD WIFE into a silent, black and white film, creating a completely different cinematic experience. In late 19th century Vietnam, fourteen-year-old May becomes the third wife to a wealthy landowner. She quickly learns that she can gain status and security if she gives birth to a male child, but her burgeoning attraction to Xuan, the second wife, puts her fragile standing in jeopardy. As May observes the unfolding tragedy of forbidden love and its devastating consequences, she must make a choice, to either carry on in silence, or forge a path towards personal freedom.
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After her father dies, a young woman returns to her Yorkshire village for the first time in 15 years to claim the family farm she believes is hers.
When single mom Megan Nolan moves to a new town, she feels guilty for uprooting her ten-year-old daughter Caitlin. Seeing that the little girl’s only friend is a neighbor’s dog, Megan decides to adopt a shelter pet for Caitlin. She immediately regrets her decision when Caitlin gravitates to the biggest, sloppiest dog in the pound, Jake. Megan’s beautiful new home is now in shambles and, as Megan considers returning Jake to the shelter, handsome ballplayer Ben shows up claiming Jake is his dog, the regrettable outcome of his roommate leaving a gate open. Megan and Ben butt heads. Ben wants to take his dog and leave, until he sees that Caitlin loves Jake as much as he ever could. Now it is clear: the pound puppy everyone loves deserves no less than joint custody.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
During Nazi occupation, red-headed Bent Faurschou-Hviid (“Flame”) and Jørgen Haagen Schmith (“Citron”), assassins in the Danish resistance, take orders from Winther, who’s in direct contact with Allied leaders. One shoots, the other drives. Until 1944, they kill only Danes; then Winther gives orders to kill Germans. When a target tells Bent that Winther’s using them to settle private scores, doubt sets in, complicated by Bent’s relationship with the mysterious Kitty Selmer, who may be a double agent. Also, someone in their circle is a traitor. Can Bent and Jørgen kill an über-target, evade capture, and survive the war? And is this heroism, naiveté, or mere hatred?
A native-American lacrosse team makes its way through a prep school league tournament.
A young guy short on luck, enrolls in a class to build confidence to help win over the girl of his dreams, which becomes complicated when his teacher has the same agenda.
After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.
Former college buddies Horaguchi and Okawa suddenly reunite on a whim after 15 years apart and try to resume their friendship by planning a trip together. Meanwhile, Okawa’s live-in girlfriend Kaede and the pair’s old friend Kyoko get roped into joining them. Soon, the four head off on a trip together with the goal of sharing sukiyaki by the sea.
A comedy about the unlikely friendship that kindles between a struggling stand-up comedian from L.A., forced to move back home to Eastern Long Island with his tail between his legs, and a tragically flawed, but charming and charismatic, alcoholic dermatologist. Discovering to be kindred spirits, each helps the other find healing, in addition to the confidence to face the “failures” in their lives.
