An overstressed American businessman and a French chambermaid make a connection at an airport hotel in Paris.
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This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification program for teens, where she discovers shocking secrets and young students that change her life.
Andy is a new teacher at a inner city high school that is like nothing he has ever seen before. There is metal detectors at the front door and everything is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.
From their first encounter as teenagers in high school, Scott and Sid seem unlikely friends. Scott is a shambolic dreamer, intent on carving out his own path in life and holding up a metaphorical middle finger to anyone who tries to stop him. He is a quintessential troubled teen: on his fifth high school by the age of fifteen, alienated from his peers, crippled by recurring nightmares and disliked by his own foster parents. Sid, on the other hand, wants nothing more than to be liked. An unconfident, awkward recluse through circumstance, Sid’s impoverished and dysfunctional background leave him no time for friends and no money for hobbies.
Tanaka is going through a tough time trying to support his younger sister Mitsuko, recently arrested and hold up in jail. As an investigative reporter, he immerses himself into a story about a shocking murder case gone cold. The “perfect” family—successful businessman, beautiful wife and adorable child—was brutally murdered a year ago and the case remains unsolved. Tanaka interviews their friends and acquaintances, and as stories of their true nature unfold, he begins to discover that the family was not as ideal as believed. The interviewees themselves unveil their own hidden natures, revealing a disturbing portrait of social elitism.