Two scientists raise 3 children contrarily to their genetic tendencies to prove the ultimate power of nurture over nature.
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We Are Kings is a rock and roll/blues fable, a group of down and out musicians breaks through against all odds, with a little help from a friendly ghost. Starring Sammy Blue, Rita Graham, Bianca Ryan, Pryce Watkins, and Jonathon Boogie Long.
Dating Daisy is a romantic comedy about the honest and crazy truth of dating in your twenties! The story follows Michael and Daisy, two exes who decide to road trip home together for the holidays and get caught up in their crazy past.
Guinevere Pettigrew, a middle-aged London governess, finds herself unfairly dismissed from her job. An attempt to gain new employment catapults her into the glamorous world and dizzying social whirl of an American actress and singer, Delysia Lafosse.
On the set of a playwright’s new project, a love triangle forms between his wife, her ex-lover, and the call girl-turned-actress cast in the production.
The ambitious punk rocker Max and the eco-activist Inge cannot stand each other, ever since Max publicly exposed her by singing the offensive song “When Inge is Dancing” in front of the whole school. But for Max and his classmates Fabio, Joscha and Lukas this song in particular has become a real hit at school as well as in the regional music scene: Their band called Systemfehler is on the verge of a breakthrough. But just before the important gig, which could get them a record deal, guitarist Josha is injured and can’t play. Inge happens to be an excellent guitarist, and the only person who can fill in at such short notice. But when Max asks for her help, she imposes one non-negotiable condition: If she decides to play with the band, they will not perform the song “Wenn Inge tanzt”.
A comedy centered on the romance between an obscure novelist and his new girlfriend, who also becomes his muse.
While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.
When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.