A re-imagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement.
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Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy’s following his performance in the Thanksgiving Day parade. His portrayal is so complete many begin to question if he truly is Santa Claus while others question his sanity.
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the “Vatos Locos”, and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a “home” for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his “carnal”, Miklo.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
An odd-but-gifted poet, Evan Merck (Wes Bentley, ‘American Beauty’) makes his living writing suicide notes for the soon-to-be departed. So when he meets Charlotte (Winona Ryder, ‘Girl, Interrupted’), the free-spirited sister of his latest client, Evan has no choice but to lie about his relationship to her late, lamented brother.
A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.
Sam Worthington stars as Isaac LeMay, a murderous outlaw who learns he is cursed by a prophecy: one of his children will kill him. To prevent this, he hunts down each of his estranged children including long-lost son Cal (Colson Baker). With bounty hunters and Sheriff Solomon (Thomas Jane) on his tail, LeMay must find a way to stop his children and end the curse.
A young woman doctor discovers something sinister going on in her hospital. Relatively healthy patients are having ‘complications’ during simple operations and ending up in comas. The patients are then shipped off to an institute that looks after them. The young doctor suspects there is more to this than meets the eye.
America’s Blues takes a new angle on the Blues, focusing on, not only the musical impact it has had on all forms of Popular American Music, but also the influence it has had on art, fashion, language, film and racial equality.
This film is the story of the spectacular life and violent death of British playwright Joe Orton.
A mother intends to relocate Grandpa’s grave from the countryside to the city, where he could be re-buried with Grandma. However, her decision sparkles a conflict with Nana, Grandpa’s first wife. Nana is childless, and all she has is her husband’s grave. As a result, she fights flat out to stop Mother moving the grave. At first, Weiwei, caught between her mother and Nana, is turning the fight over the grave into a story on television, but after having spent time with Nana, she learns a new understanding of life. In the end, these three women of different generations, each facing her own problems in her love life, follow their hearts and make their decisions, which result in an unexpected ending to the incident.
