In 1970, three children are born at the height of a total eclipse. Due to the sun and moon blocking Saturn, which controls emotions, they have become heartless killers ten years later, and are able to escape detection because of their youthful and innocent facades. A boy and his teenage sister become endangered when they stumble onto the bloody truth.
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After twenty years of broken bottles and empty hallways, Mort Gleason witnesses his nephew Moo being beaten while in a drunken stupor. The short contact with family brings Mort back to what are left of his senses and he returns to the last home he remembers in Chicago. His sister Eileen lives in their family home now with her sixteen year old son, Abe. Her older son Moo, the now missing nephew, helped spark Mort’s return to his family. Three, four, five weeks pass as Mort waits outside his home and makes a tenuous re-entry into family life. Abe dreams of a sailboat and distant horizons. He saves money and sees an advertisement for the Kathy II. He and his friend calculate a way to buy the vessel from two unscrupulous rogues who make ends meet wholesaling liquor and operating a sometime boatyard.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight – and the audience’s point of view. Will, tormented, believes he is hearing his son’s voice calling out to him. To escape their grief, Gemma suggests they take up Paul’s offer to stay at his Lake District country getaway. Gemma’s, helped by ex-pharmacist Paul, tries to stop her panic attacks with medication. Will, unable to hear to his son in his bedroom back home, antagonizes Paul and suddenly goes home. Gemma is now reliant on Paul who appears to be developing genuine feelings for her welfare. Love, grief, and the frailty of the human condition are all brought to the fore as Gemma Will and Paul are caught up in a descent into violence, both psychological and ultimately physical.
A gang of thieves plan a heist during a hurricane and encounter trouble when a disgraced cop tries to force everyone in the building to evacuate.
When a beleaguered gambler fails to kill a young upstart mobster in order to forgive all his debts, the task falls to his wife when the gambler’s bookie kidnaps her daughter.
Akira Sharma is your average Jane from Jodhpur. Early in life she sees an atrocity committed on a neighbour and learns to defend herself. And, a spitfire is born.
An inventor and his mom hit the road together so he can sell his latest invention.
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
Ane is in her mid-forties and delighted when a stunning bouquet of flowers is delivered to her home. But the site manager has no idea who to thank – one thing is for sure; her jealous husband, Ander, is not the unknown cavalier. As these gallantries increase, always on a Thursday and always with an anonymous sender, Ane’s life takes on a new direction. The life of Lourdes is also sent into turmoil by beautiful bouquets of flowers: Since the death of her husband in a traffic accident, flowers have been deposited regularly at the scene. Lourdes’ mother-in-law, Tere, is determined to get to the bottom of the anonymous flowers. Jon Garaño and José Mari Goenaga’s feature film debut pays charming homage to three headstrong women and the power of flowers.
When a stripper finds out that her sister has been murdered while in prison, she seeks revenge in this pulse-racing action-thriller. The cast features a glorious mixture of lawless rock & roll stars such as Lemmy (from Motorhead) and Tracii Guns, scream queen Phoebe Dollar, and acclaimed porn star Ron Jeremy in a rare fully-clothed role.
Brian’s mother dies and is surprised when he inherit’s The Sanctuary, her controversial experimental treatment center for addictions. When he and his friends are shown around the dilapidated building by a mysterious employee, it is clear that there is a sinister mood. Despite this the group enters a secret underground passage and the terrible reality is revealed. Brian’s mother had built a revolutionary machine that cured people of their addiction, but as a side effect to materialize the addictions in a mutated form of children who are addicted to human flesh which have moved into the building.
This documentary film tells the dramatic story of Richard and Mildred Loving, an interracial couple living in Virginia in the 1950s, and their landmark Supreme Court Case, Loving v. Virginia, that changed history.
