Alyssa, a successful photographer, wakes one morning to find her apartment ransacked and her husband mysteriously missing. Left without even a photograph to offer the police, she turns to his colleague Eve, a talented jazz pianist with a flirtatious charm and disarming grace. Eve helps her confront her husband’s longtime struggle with depression and to, over time, accept his absence. While getting to know this woman through such unusual circumstances, Alyssa is surprised to find herself falling in love again.

After being dumped by his fiancée, hard-drinking and depressed Mark Cormack (John Payne) loses his job in the Los Angeles district attorney’s office and serves as bouncer in a Las Vegas casino. A wheelchair-using stranger Barzland (Francis L. Sullivan) hires him to locate a ruby that disappeared in a Caribbean plane crash. He lures Cormack into doing the job by telling him it may be in the possession of the very woman who jilted him. The ex-detective flies to remote island Santo Rosario to find the stone and investigate the mystery. When he finds his old flame he finds that her husband is in prison. Cormack, again falling for Janet, is convinced into helping him break out of jail. But Janet has other plans.

When his SUV breaks down on a remote Southwestern road, Jeff Taylor lets his wife, Amy, hitch a ride with a trucker to get help. When she doesn’t return, Jeff fixes his SUV and tracks down the trucker — who tells the police he’s never seen Amy. Johnathan Mostow’s tense thriller then follows Jeff’s desperate search for his wife, which eventually uncovers a small town’s murderous secret.

In the wake of his daughter’s disappearance, a father wallowing in grief feeds his desire to find her with unusual methods.

Poetic journey through the shards and shadows of one boy’s war-ravaged youth.

A five-year-old Indian boy gets lost on the streets of Calcutta, thousands of kilometers from home. He survives many challenges before being adopted by a couple in Australia; 25 years later, he sets out to find his lost family.

John w­ilde is a happi­ly married man ­who is about to­ face the bigge­st challenge of­ his life. Late­ one night, joh­n logs into a s­ocial networkin­g site and re-c­onnects with hi­s old high scho­ol flame, adria­nna. What begin­s as a harmless­ hello rapidly ­escalates into ­a rekindling of­ their past rom­ance. Torn betw­een the life he­ once envisione­d with adrianna­ and the life h­e’s now buildin­g with his wife­, mary, john so­on discovers th­at there are se­rious consequen­ces to the deci­sions he has ma­de. Now john mu­st try to find ­his way back to­ god and get on­ a path to forg­iveness from ma­ry, god and him­self.

A multi-dimensional interface between a comic book artist, a novelist, and a film director. Each lives in a separate reality but authors a story about one of the others.

Englishman Robinson Crusoe, stranded alone on an island for years, is overjoyed to find a fellow man, a black islander whom he names Friday. But Crusoe cannot overcome the shackles of his own heritage and upbringing and is incapable of seeing Friday as anything other than a savage who needs Crusoe’s brand of cultural and religious enlightenment. Friday attempts to share his own more generous and unashamed culture, but ultimately realizes that Crusoe can never see him as anything but an inferior being. With that awareness, Friday sets out to turn the tables on Crusoe.

A hitman must prove his loyalty to his mentor and best friend, while his girlfriend wants to leave the business behind them.

The lives of Nick, Avery, Walter, Chief Payne, Kelly Smith, and a few new characters are brought to the forefront a decade after the original ‘Clancy’ storyline ended.

I AM I is the story of a young woman, Rachael, who meets the father she never knew, Gene, at her mother’s funeral. She discovers that her father is completely delusional and believes her to be her dead mother. After Rachael visits Gene in an assisted living home, she learns that he suffers from a disease called Korsakov’s Syndrome, a form of retrograde amnesia and that her mother had placed him in this facility for treatment a year earlier. He does not remember anything past the age of thirty-three, and believes that he is still a young man. Unable to convince him of who she really is, Rachael decides to go along with her father’s delusions by pretending to be her mother and discovers that under this guise, she and Gene can have “normal” conversations. Before long, Rachael is visiting Gene everyday, finding new ways to bring elements from his past into their present relationship.