Born Free (1966) is an Open Road Films Ltd./Columbia Pictures feature film starring Virginia McKenna and Bill Travers as Joy and George Adamson, a real-life couple who raised an orphaned lion cub to adulthood, and released her into the wilds of Kenya.
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Twelve years after their beloved eldest son, Junpei, drowned while saving a stranger’s life, Kyohei and Toshiko welcome their surviving children home for a family reunion. Younger son Ryota still feels that his parents resent that he isn’t the one who died; his new wife, Yukari, is awkwardly meeting the rest of the family for the first time. Daughter Chinami strains to fill the uncomfortable pauses with forced cheer.
Yeo-jin and Jae-yeong are two teenage girls who are trying to earn money for a trip to Europe. To reach this end, Jae-yeong is prostituting herself while Yeo-jin acts as her pimp, setting her up with the clients and staying on guard for the police. Things take a turn for the worse when Yeo-jin gets distracted from her duty and the police raid the motel where Jae-yeong is meeting with a client. To avoid getting caught, Jae-yeong jumps out of a window, fatally injuring herself.
The host of an investigative news show is convinced by the CIA that the friends he has invited to a weekend in the country are engaged in a conspiracy that threatens national security in this adaptation of the Robert Ludlum novel.
A NASA spacecraft proves Einstein right when, travelling faster than light, it ends up near King Arthur’s Camelot. On board are big-hearted Tom Trimble and Hermes, the look-alike robot he built. Tom immediately makes friends with pretty Alisande and enemies with the awful knight Sir Nordred. It seems Nordred is out to oust Arthur, while Alisande’s father is not the goose she believes him to be but is also a victim of Nordred’s schemes. It’s as well the Americans have arrived.
Adapted from a 1964 novel of the same name, the film follows a day in the life of George Falconer, a British college professor reeling with the recent and sudden loss of his longtime partner. This traumatic event makes George challenge his own will to live as he seeks the console of close friend Charley who is struggling with her own questions about life.
Palo Alto weaves together three stories of teenage lust, boredom, and self-destruction: shy, sensitive April, torn between an illicit flirtation with her soccer coach and an unrequited crush on sweet stoner Teddy; Emily, who offers sexual favors to any boy to cross her path; and the increasingly dangerous exploits of Teddy and his best friend Fred, whose behavior may or may not be sociopathic.
After Sabrina is abducted, she finds herself in an underground lair, forced to do battle with other innocent women for the amusement of unseen spectators. Each of these reluctant warriors has something to lose, but only one will remain when the game is done.
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.