With her wedding day rapidly approaching, an anxious bride-to-be has doubts about her pending marriage. At a romantic island resort, she encounters a handsome kindred spirit and must now decide if her “perfect” fiancé is really her true love.
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As the youngest of the family, Sam is haunted by the notion that someday he could become the last remaining survivor, all alone. On a family vacation at the beach, he meets the unconventional Tess, who carries her own secrets around with her and shows him how the present moment can win out over memories and anxiety about what’s yet to come.
A diverse group of friends gather for the festive season in a remote lodge but soon plans go awry. One of the friends goes missing and the truth behind why the lodge was booked for the holiday is disclosed. Christmas quickly turns to chaos and a bloody nightmare ensues.
A politically incorrect comedy that enthralls the viewer into a strategic moment in history where wrong is right and right is wrong, and ultimately answers that age-old question: Is blood really thicker than water? And, if war kills, can weed heal?!
During a layover in Albuquerque, work colleagues Les and Natalie discover more about each other than they ever thought possible. Anxious and irritable, Les is drawn back into the city by past experiences he can’t forget (even if he doesn’t really remember the particulars of his previous drunken adventure). Natalie, refusing to leave his side, follows along as her own secrets are slowly revealed, leaving her feeling both vulnerable and unbound.
Bean works as a caretaker at Britain’s formidable Royal National Gallery, and his bosses want to fire him because he sleeps at work all the time, but can’t because the chairman of the gallery’s board defends him. They send him to USA, to the small Los Angeles art gallery instead, where he’ll have to officiate at the opening of the greatest US picture ever (called “Whistler’s Mother”).