Cane Toads: The Conquest is a comic yet provocative account of Australia’s most notorious environmental blunder from filmmaker Mark Lewis.Shot against the harsh and beautiful landscape of northern Australia, Cane Toads: The Conquest tracks the unstoppable journey of the toad across the continent. Director Mark Lewis (Cane Toads: An Unnatural History, The Natural History of the Chicken) injects his trademark irreverence and humor into the story as he follows a trail of human conflict, bizarre culture and extraordinary close encounters.Filmed with high-resolution 3D technology, Cane Toads is the first Australian digital 3D feature film. Custom designed equipment allows viewers to get up close and personal with these curious creatures like never before. The unique viewing experience is like being immersed in the world of the toad.
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An attempt to re-contextualize the European migrant crisis and ongoing hostilities in Syria, through eyewitness and participant testimony. Children and parents recount the revolution, civil war, air strikes, atrocities and ongoing humanitarian aid crises, in a portrait of recent history and the consequences of violence.
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Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.
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Eccentric Frank Carlyle ran a horror shop in small-town Steeple Falls, which takes pride in and profit from its Halloween traditions. Frank’s widower grandson Richard grudgingly returns there from Boston with his own kids, bright Ian and bratty Claire, to settle the inheritance. Ian discovers great-grandpa’s house is really haunted, and not just, as legend holds, by historic owner Zachariah Kull, who was burned on the stake.
Anita, Rita, Ricardo and Andrés have been attending a school for children with Down syndrome for 40 years. After all this time, they are starting to tire of this safe, familiar environment. Now over 45 years old, some of them feel that working in the school bakery is no longer a challenge. They also yearn for freedom on a more personal level. Anita and Andrés are in love but still live with their families. They dream of finding a quiet place to be alone together, and they want to get married and raise a family. Sadly, the society they live in is not equipped to cater to their desire for more independence. In spite of the training they receive on becoming “responsible adults,” all four of them remain dependent on others to make decisions for them, much to their frustration.