In the middle of a Texas summer, plans for a babysitter fall through and six-year-old Caroline is left in charge of her two younger siblings.
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Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
A man is trapped in a mine shaft by his vengeful brother while his daughter embarks on a magical journey to rescue him.
Set in the year 1720, the story is about what happens to 29-year-old Tordenskiold when the Great Northern War ends and he doesn’t know what to do with the rest of his life. His trusted valet persuades him to go on a European ‘road trip’ to search for a bride.
Set in 2041, humans of planet Earth now live side-by-side with androids. A well-known cybernetic engineer, Alex Garel, is tasked with an assignment to create a robot in the form of a human child. He returns home to begin his work and finds that his childhood love Lana has married his brother David. Their daughter Eva seems to possess a superior intelligence and powerful charisma that immediately captivates Alex. Looking for inspiration, Alex asks Eva to be the muse of the new robot, which challenges everything Alex ever thought he knew about robots and humans alike.
In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
A movie about a young honors student-turned-anarchist, Puck, and his group of anarchist friends living peacefully in a Dallas commune until a nihilist, Johnny Black, appears with The Anarchist Cookbook and completely destroys their way of life.
In a village, a young archaeologist falls in love with a landlord’s daughter. Their union seems doomed. But destiny brings them together a year later. Will they live happily ever after?
Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.