The relationship between Diah and Jun-Ho failed after being engaged for three years. When Diah lost the spirit of her life, she met with Nik who made her happy.
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Officer Arnaud raises his daughter as a love letter to his late Mom.
Contemporary Russia. Nadya gives up her dream of becoming a champion figure skater when she is hospitalized with an injury. But then she meets Sasha, a hockey player, who decides to teach her to believe in herself and her dream again.
When a motorbike gang kills an occultist, the evil spirit he was summoning inhabits a damaged bike. The bike is then bought and restored, but reveals its true nature when it tries to exact vengance on the gang, and anyone else who gets in its way.
Pie is a sweet girl who moves into a new college dorm room where she finds out that her new roommate Kim, is a tomboy who looks and dress like a boy. As their friendship develops, Pie and Kim begin to wonder if the feeling they feel for one another is just an ordinary friendship or true love.
Following a group of friends from university as they progress into middle-age life and go their own separate ways.
DEDALUS is a fiction triptych portraying community, love, and loss. In rural Iowa, a grocery cashier watches helplessly as classmates conceal their act of sexual violence against his teenaged step-sister. Will she keep the child? A hustler tricks for food, shelter, and intimacy during a winter in New York City. A young woman takes him in, but nothing satiates his unrequited love for an older gay client. Mortality compels a father to leave his home in Los Angeles and move in with his daughter. Jonah Greenstein’s gorgeously shot feature debut laces loneliness with beauty to create a film of startling cinematic intimacy.
A medieval tale with Pythonesque humour: After the death of his father the young Dennis Cooper goes to town where he has to pass several adventures. The town and the whole kingdom is threatened by a terrible monster called ‘Jabberwocky’. Will Dennis make his fortune? Is anyone brave enough to defeat the monster?
The very sad tale of socialite & Warhol muse Edie Sedgwick (1943-1971) who effectively plays herself in a film that follows her life in a large part from the time she left Warhol’s ‘factory’ and what the life of excess drugs did to her sanity. Edie was such a beautiful fragile girl – who finally got her head together and got married (her wedding day video is edited into the end of the movie) but it was too late, her husband woke up on a morning in November 1971, only weeks after filming wrapped, and found her dead beside him. She had died in her sleep from overdosing on her medication she was 28.
An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy