Maggie and Sam are crashing Christmas. When he proposes they team up against his sister’s perfect Christmas, neither of them are prepared for the blended family challenges that lie ahead.
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Angie lives in the Bensonhurst section of Brooklyn, N.Y. and dreams of a better life than everyone she knows. When she finds that she is pregnant by her boyfriend Vinnie, she decides that she will have the baby, but not Vinnie as a husband. This turns the entire neighborhood upside down and starts her on a journey of self discovery. This journey includes her family, a new lover and her life. Even her best friend Tina has trouble understanding Angie. Written by Tony Fontana
A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.
When an elite assassin marries a beautiful computer whiz after a whirlwind romance, he gives up the gun and settles down with his new bride. That is, until he learns that someone from his past has put a contract out on his life.
John Rancour – an aging, corrupt detective on the run for murdering a fellow police officer in cold blood. With enemies on both sides of the law wanting him dead – Rancour has no choice but to seek help from the very man that exposed his crimes and sent him into exile – journalist Tyler Chase. Rancour takes Tyler captive, forcing him to tag-along on a one-night race against time to expose and eradicate the system of corruption that he helped create in his years on the force. Complicating matters further is Rancour’s former partner and best-friend, Detective Frank Hanaway, who wants nothing more than to stop the pair from making it through the night alive. As the night wears on and the bodies begin to pile up in their wake, Tyler starts to believe that there is more to John Rancour and his motives than he originally accused; and that the people and places he witnesses could lead to a bigger story than he ever thought possible. Written by Jordan Brown
This holiday, the Liddles have much to be merry about! Jacquie Liddle and her husband, Tyler, are preparing for the arrival of their first baby. With their family expanding in ways they could never have expected, the Liddles are headed for a crazy Christmas filled with merry mayhem and lots of love and laughter.
Twenty-eight-year-old Georgia is convinced the man of her dreams is the one “that got away” back in high school. When Georgia learns of her high school reunion a week before Christmas, she’s ecstatic to finally have her chance to win Craig back. But as she gets to relive high school for a night, she begins to realize it might not be Craig at all who got away, but Ben, an old friend with whom she’d fallen out of touch.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.