CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney’s abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 …
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While diving for sunken treasure, street-smart gumshoe Tony Rome finds the body of a gorgeous blonde, her feet stuck in a block of cement. Soon after, tough guy Waldo Gronski hires him to find a missing woman named Sandra Lomax, and Rome wonders if there’s a connection. He sets about trying to locate the woman, and in no time finds himself mixed up with a beautiful party girl and a slippery racketeer.
The film pits a humble small-town lawyer against a hard-headed big city prosecutor. Emotions flare as a jealous army lieutenant pleads innocent to murdering the rapist of his seductive, beautiful wife.
A small circle of friends suffering from post-collegiate blues must confront the hard truth about life, love and the pursuit of gainful employment. As they struggle to map out survival guides for the future, the Gen-X quartet soon begins to realize that reality isn’t all it’s cracked up to be.
Needing a sudden escape from the city, Robbie leaves Brooklyn to stay in the Hudson Valley with his aunt, who runs a home for pregnant teens. As the only man in the house, Robbie captures the attention of many of the girls, and when he strikes up a friendship with Nina, who is dealing with her own relationship troubles, tensions run high in the house. In trying to stop Nina from making the biggest mistake of her life, Robbie finds himself caught in a love triangle between Nina and her baby daddy, Chase.
Abby is a pregnant woman with a curious new boarder in the apartment over her garage. Turns out he’s heaven-sent and is speeding along the Apocalypse by bloodying rivers, egging on plagues and following scripture word for word.
A modern nightmare nearly becomes reality in this tension-filled story about an “incident” at a nuclear power plant. Jane Fonda stars as Kimberly Wells, an ambitious TV reporter covering a story on energy sources, who is present at the nuclear plant when a startling accident occurs that nearly causes the meltdown of the reactor. A newsreel cameraman accompanying Wells (Michael Douglas) captures the incident on film but the television station won’t air the footage. Though the plant’s corporate heads are quick to deny the possibility of any real danger, Jack Godell (Jack Lemmon), the plant’s veteran engineer, discovers faulty equipment at the plant. Attempting to tell others about his findings, an attempt is made on his life. In desperation, he forcibly takes control of the power plant and invites the media to hear his ceremony. But the corporation is determined to stop him in a taut and shocking climax!
Steven Keats plays a Russian emigre who prides himself on the way he’s molded himself into a real Yankee in the USA, though the world he lives in, New York’s Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife (Carol Kane) finally arrives in the New World, however, she has a lot of assimilating to do. This causes the tension which drives the movie along, though it maintains a fairly light atmosphere most of the time.
A French man spies on a lovely younger woman across the way. When he’s spotted by the woman shortly after being questioned by the police about a local murder, the man’s simple life becomes more complicated.
