Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.
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Four performers in the neo-burlesque scene in New York City discover a new identity and belonging in a world of bawdy comedy and striptease. However, they find that this community does not insulate from the harsh reality of life in the city.
Political commentator, author and filmmaker Dinesh D’Souza puts forth the notion that America’s history is being replaced by another version in which plunder and exploitation are the defining characteristics. D’Souza also posits that the way the country understands the past will determine the future. Using historic re-enactments, D’Souza explores the lives and sacrifices of some of America’s greatest heroes, including George Washington and Frederick Douglass.
Spike Lee pays tribute to Michael Jackson’s Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.
Auschwitz-Birkenau was designed to kill. Four gas chambers murdered thousands at a time, belching out smoke and human ashes. Starvation, thirst, disease, and hard labor reduced the average lifespan to less than three months. More than 1-million people perished in the largest German Nazi concentration and extermination camp. Seventy years after her liberation, Kitty Hart-Moxon makes a final return to Auschwitz-Birkenau to walk among the crumbling memorial with students Natalia and Lydia, who, at 16, are the same age now as she was then. As Kitty tells them her story of daily existence, themes begin to emerge: the ever-present threat of death, resilience, friendship, human strength, resisting the Nazis’ constant lethal intent, and living like an animal while still remaining human. Natalia and Lydia ask questions; Kitty provides answers, passing her legacy to the next generation.
In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.