As an ex-gambler teaches a hot-shot college kid some things about playing cards, he finds himself pulled into the world series of poker, where his protégé is his toughest competition.
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Stephen Chow plays a selfish yet in some places kind hearted barrister who tricks his servant in doing things for his own benefit. Eric Kot playing the servant is misguided by what he thinks is love and leaves Chow vowing that he will never need Chow’s help again in life. Shortly afterwards Kot gets into some big trouble (due to be executed) with the British and calls on Chow for help. Chow tries to help his client, but is fish out of water when he has to fight this court room case according to western rules.
MAD AS HELL follows Cenk Uygur’s transformation from unknown talk show host on local Public Access TV to an internet sensation with his online news show “The Young Turks,” which has amassed over one billion views on YouTube. Once Cenk ventures from the internet into national television and lands the 6 PM time slot on MSNBC, his uncensored brand of journalism is compromised and Cenk becomes the nexus in the battle between new and old media.
On 23 May 2010, 21-year-old Tonio van der Heijden was hit by a car and taken in a critical condition to hospital, where he died. A tragic event that drastically changed the lives of his parents, who watched their only son pass away in intensive care. Reminded of his life by everything around and inside them, Tonio’s life left a legacy of phantom pain for his parents who mourn, and struggle to prevent their own lives from being dragged into a downward spiral of sorrow.
In the early to mid ’90s, when the South African system of apartheid was in its death throes, four photographers – Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva – bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela’s African National Congress.
A film based on the semi-autobiographical novel of the same name by American writer Jonathan Safran Foer, in which a young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II, in a Ukrainian village which was ultimately razed by the Nazis.
Foxy Lady Cocoa is out to take down her mobster boyfriend.
Noah, is not your typical entertain-the-kids-no-matter-how-boring-it-is kind of sitter. He’s reluctant to take a sitting gig; he’d rather, well, be doing anything else, especially if it involves slacking. When Noah is watching the neighbor’s kid he gets a booty call from his girlfriend in the city. To hook up with her, Noah takes to the streets, but his urban adventure spins out of control as he finds himself on the run from a maniacal drug lord.
The story of a mild-mannered radio executive (Ferrell) who strives to become the best stepdad ever to his wife’s two children, but complications ensue when their freewheeling, freeloading real father arrives, forcing stepdad to compete for the affection of the kids.
Seventeen year old LOLA FRANKLIN runs away from home but allows the world to believe she has been kidnapped. Intent on making her way across country, she meets a boy (MARLO) her age in a New Mexico diner. They fall instantly in love. But when Marlo learns of the reward for Lola’s safe return, he must confront his own past and decide whether to take Lola back home to collect the reward or help her continue her mysterious journey.
