In the week that follows Princess Diana’s tragic death on 31 August 1997, four separate stories unfold as four ordinary lives are all affected in different ways in this commemorative drama from writer Jeremy Brock and director Peter Cattaneo.
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American boy Cody lives in Australia with his guardian, Gaza. Cody is very imaginative, inventive, and inquisitive. He comes accross some strange events happening in Devil’s Knob national park associated with an aboriginal myth about “frog dreamings”. Cody tries to investigate…
An ex-Boer war guerrilla in New Zealand is sent out to bring back a Maori accused of killing a British soldier. Gradually they grow to know and respect one another but a posse, led by the British Commanding officer is close behind and his sole intention is to see the Maori hang. Written by Filmfinders 1903. A guerilla fighter from the South African Boer war called Arjan (Winstone) takes on a manhunt for Maori seaman Kereama (Morrison), who is accused of murdering a British soldier. What follows is a cat and mouse pursuit through the varied landscape of NZ with both hunter and huntee testing their bushcraft and wits against that of the other. Written by Anonymous
Kelly strips – her best friend Jordan captures the event on her mobile phone. Kelly’s name is well known among the visitors of (in)appropriate online portals. The two teenagers digitally record anything and everything that crosses their paths and upload the results to the internet. But, today is not their day: Kelly’s ex-boyfriend has taken her car containing a package she was not to lose under any circumstances. While searching for it, the two set off on a peculiar journey through a night peppered with drugs, sex, corrupt police officers and other catastrophes – and always with their trusty mobiles in hand. Made entirely using mobile phone cameras, KING KELLY is a satirical journey through the boundless narcissism of the YouTube generation.
After years of paying his dues in every bar from New York to Pennsylvania, New Jersey Rock n’ Roller Jimmy Ford trades in his rock n’ roll fantasy for the bright lights of Nashville. His new life in the Music City presents staggering highs and lows, but everything may not be quite as it seems. Jason Michael Carroll (Country Music Star whose Top 40 hits include “Alyssa Lies” “Livin Our Love Song” and “I Can Sleep When I’m Dead”), and Katie Garfield (“The Birth of a Nation”) lead an extraordinary cast in this genuine, compelling drama that really boogies. Despite lofty expectations, Jimmy Ford (Carroll) quickly realizes that Nashville presents its own unique challenges
The story of Joan Stanley, who was exposed as the KGB’s longest-serving British spy.
A native-American lacrosse team makes its way through a prep school league tournament.
A bright student in Nigeria takes on the academic establishment when she reports a popular professor who tried to rape her. Based on real events.
The incomparable Toshiro Mifune stars in Akira Kurosawa’s visually stunning and darkly comic Yojimbo. To rid a terror-stricken village of corruption, wily masterless samurai Sanjuro turns a range war between two evil clans to his own advantage. Remade twice, by Sergio Leone and Walter Hill, this exhilarating genre-twister remains one of the most influential and entertaining films of all time.
Juan de los Santos, a former undercover cop from Paraguay, once ready to take down the biggest drug cartel in Latin America, has lost everything; his wife and kids brutally murdered on a cold dark night and with them, his will to live. Juan, himself didn’t survive unscathed; on that cold night he took two bullets, one still in his heart, the other one damaging a part of his brain, cursing him sporadic amnesia. In an internal and external struggle with his own demons, Juan must defeat incredible odds to save innocent people. Sleepless, and afflicted by treacherous nightmares of that night, he is willing to take any job to alleviate his suffering.
After 20 years of touring, a roadie for a defunct 80s hair band returns home to live with his mother.
Is a provocative, haunting, and compassionate examination of the isolating and often misunderstood path of personal redemption and spiritual service in contemporary society. Composed of alternating sequences of daytime and nighttime episodes, the film presents a recurring visual dichotomy that illustrates the polarizing division between wealth and poverty, spirituality and materialism, vanity and humility, selfishness and benevolence.
