When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

From the director of Koyaanisqatsi, an astonishing film that documents the drama of how we both live and witness what we experience. Shot in rich black and white Godfrey Reggio’s latest film finds the full spectrum of emotion in human faces, gorgeous landscapes and even the behaviour of an especially expressive gorilla.

Elizabeth Windsor tells the story of the girl who was never supposed to be Queen. Born the first daughter of ‘the spare’, the Duke of York, Princess Elizabeth’s life was destined to be nothing more than a bit part in the privileged shadows of the British Royal family.

Internationally known graffiti artist, Banksy, left his mark on San Francisco in April 2010. Little did he know that this act of vandalism would spark a chain of events that includes one of his rats being removed from a wall, Museums ignorantly turning down a free Banksy street work, and a NY gallerist who has made it his business model to remove Banksy street works from all over the globe doing whatever it takes to get the rat in his possession.

This documentary plunges into the secret underground world and history of freight train and graffiti culture, uncovering stories of myth-like artists, remarkable romances, competitive graffiti crews, and battles with the institution.

Based on the best-selling religious studies book by Joseph Atwill, this documentary shows that Jesus is not a historical figure, the events of Jesus’ life were based on a Roman military campaign, his supposed second coming refers to an event that already occurred, and the Gospels were written by a family of Caesars who left us documents to prove it. Besides Atwill, six other controversial Bible scholars weigh in, showing that the teachings of Christ came from the ancient pagan mystery schools, and that Christianity was used as a political tool to control the masses of the day and is still being used this way today.

A fascinating look at how American agricultural policy and food culture developed in the 20th century, and how the California food movement rebelled against big agribusiness to launch the local organic food movement.

Five years ago, a Korean opera singer started a children’s choir in a slum in India. Frustrated by the lack of support from the parents of his choir children, he decides to train the parents to sing for a joint concert. But it may be the toughest challenge of his life.

A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet. (Wide release version with narration by Cate Blanchett.)

The Anatomy of a Great Deception is a quasi-political, spiritual documentary following businessman-turned-filmmaker, David Hooper as he deals with the emotions of his own investigation into the events of 9/11.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

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