A low-budget American indie with only a handful of characters seems an unlikely vehicle with which to express the complex issue of modern warfare, but Rick Rosenthal’s modest, ambitious Drones does just that. It begins in the Nevada desert, where new girl Sue Lawson (Eloise Mumford) joins airman Jack (Matt O’Leary) in a hot, windowless bunker from which they manoeuvre unmanned drones across the plains of Afghanistan. Their first day at work is awkward but polite, with Jack all too aware of Sue’s privileged status as daughter of a well-respected general. This, however, will be no ordinary mission: as they train their sights on an unarmed terrorist suspect, a power struggle erupts between the smart, sophisticated Sue and the dogged, blue-collar Jack. As tensions escalate, Rick Rosenthal’s gripping drama keeps us guessing as to who really has the upper hand, following the chilling concept of bloodless, remote-control conflict to a nail-biting conclusion.
You May Also Like
Fifteen years after conjuring an imaginary phantom known as Mercy Black, a repentant woman returns to her hometown to live with her sister and young nephew. But as Mercy continues to haunt her and the death count rises, she must face her deepest terror and discover the truth of her past before Mercy Black claims her nephew. Daniella Pineda, Austin Amelio, Elle LaMont, Miles Emmons, Lee Eddy, and Janeane Garofalo star in this terrifying story of regret, redemption, and the dark side of belief.
Named after the World War II-era program, the plot revolves around a gifted high school student who decides to construct a nuclear bomb for a national science fair. The film’s underlying theme involves the Cold War of the 1980s when government secrecy and mutually assured destruction were key political and military issues.
The story of a fan whose world completely revolves around the movie star he adores.
The work of billionaire tech CEO Donovan Chalmers is so valuable that he hires mercenaries to protect it, and a terrorist group kidnaps his daughter just to get it.
When three young women receive shocking videos anonymously, a nightmare is reawakened that ignites a thirst for bloody vengeance. They embark on a journey to locate the house, their sadistic captor and to discover the truth behind those locked doors. But, the most shocking revelation of this chilling tale is the identities of the victims.
Day, an insecure art director of a commercial production company is left alone to clear up a 6-meter deep deserted pool after the shooting. He falls asleep on an inflatable raft due to an unbearable fatigue. When he wakes up again the water level has sunk so low that he cannot climb out of the pool on his own. He screams for help but the only thing that hears him is some creature from a nearby crocodile farm.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
2AM, closing time: A cocky bar manager with a shady past and a young handsome bartender discover a beautiful woman bloodied and unconscious in the bathroom of a late night lounge. When she awakens, Tony, Matt and the mysterious Rose are plunged into a stirring evening of dangerous role playing in an ever-escalating game of cat and mouse that forces them to face the dark shadows of themselves. As we begin to piece together the elaborate puzzle, nothing is what it seems. However, one thing is for certain: this Rose is full of thorns.
A young Iranian man who is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.
Follow the owners of the infamous “Maison de la petite mort” during their daily work. After the shocking events in part one, you’ll never guess what the new owner Monsieur Matheo Maximè is up to. Torturing for money at it’s very – worst.