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Between New York City and the far north of Norway, an American painter and a Russian émigré find each other in the Arctic circle. Together under a sun that never sets, they discover a future and family that they didn’t know they had.
An English mother and her teenage son spend a week preparing the sale of their remote holiday house in the South of France. Fifteen-year-old Elliot struggles with his dawning sexuality and an increasing alienation from his mother, Beatrice. She in turn is confronted by the realisation that her marriage to his father, Philip, has grown loveless and the life she knows is coming to an end. When an enigmatic local teenager, Clément, quietly enters their lives, both mother and son are compelled to confront their desires and, finally, each other.
Ike Graham, New York columnist, writes his text always at the last minute. This time, a drunken man in his favourite bar tells Ike about Maggie Carpenter, a woman who always flees from her grooms in the last possible moment. Ike, who does not have the best opinion about females anyway, writes an offensive column without researching the subject thoroughly.
WORST FRIENDS is the story of two childhood friends who are forced to re-think their friendship as adults. When Jake (Richard Tanne) is injured in a car accident, the only person willing to take care of him is his childhood friend Sam (Noah Barrow). With the aid of a tough-as-nails physical therapist (Cody Horn), Sam helps Jake recuperate, but when Sam’s high school crush (Kristen Connolly) enters the picture, old habits and bitter rivalries resurface, threatening to tear their friendship apart.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
Shouya Ishida starts bullying the new girl in class, Shouko Nishimiya, because she is deaf. But as the teasing continues, the rest of the class starts to turn on Shouya for his lack of compassion. When they leave elementary school, Shouko and Shouya do not speak to each other again… until an older, wiser Shouya, tormented by his past behaviour, decides he must see Shouko once more. He wants to atone for his sins, but is it already too late…?
When leading marriage counselor Annie Morgan (Candace Cameron Bure) is offered an opportunity to host a relationship talk show, she jumps at the chance. But fearful that being single might ruin her big break, she conspires with an old college friend and recent widower, Mark Crane (David James Elliott), to pose as a married couple with kids. Their story starts to unravel when Annie and Mark join her eccentric soon-to-be boss (Ronny Cox) for a weekend at his ranch in New Mexico. Comical misunderstandings mark the event as Annie struggles to keep up the ruse, finding herself emotionally invested and conflicted by her own conscience. Will she confess the truth about her marital status and her feelings for Mark… and will the truth set them free?