Tired of being invisible in a bland marriage, Emma moves in with her son Elliot in his loft in downtown LA. Elliot is a chef at a lackluster Chinese restaurant facing foreclosure. Also, he’s gay – and Emma’s distaste and denial over this has made strangers of mother and son. But the two need each other now more than ever, and as Emma indulges herself with the encouragement of a saucy new friend, and Elliot confronts his fears of intimacy, the pair find ways to communicate, with food where words fail.
You May Also Like
It’s the summer before Elle heads to college, and she has a secret decision to make. Elle has been accepted into Harvard, where boyfriend Noah is matriculating, and also Berkeley, where her BFF Lee is headed and has to decide if she should stay or not.
A unique friendship develops when a little girl and her dying mother inherit a cook – Mr. Church. What begins as an arrangement that should only last six months, instead spans fifteen years.
Three twenty-something couples, one gay, one lesbian, and one straight, travel to a beach house to enjoy the last days of summer, but what should be a fun and carefree weekend becomes an exploration of what it takes to sustain a healthy relationship.
Pop superstar Jordan Jaye has a big dream – he just wants to live like a regular teenager. When he’s chased down by some excited female fans, he finds a perfect hideout and a reluctant new friend from a small town, high-school art student, Emily Lowe. Despite being from different worlds, they soon discover they have way more in common than they ever imagined. Over the course of several days, the two embark on an unexpected journey of friendship, first love and self-discovery — proving that maybe opposites really do attract.
Retirement at last! Middle-aged and divorced, company owner Richard Jones is looking forward to a worry-free existence as he arrives at his office on his last day of work. Much to his dismay, he discovers that the management buyout of his company was fraudulent. The company is now bankrupt and the employee pension fund — including his own — has been embezzled. Enlisting the help of his ex-wife Kate, Richard sets out to track down the shady businessman behind the fraud…
Although he’s now eighty years old, Claude Lherminier is still as imposing as he ever was. But his bouts of forgetfulness and confusion are becoming increasingly frequent. Even so, he stubbornly refuses to admit that anything is wrong. Carole, his oldest daughter, wages a daily and taxing battle to ensure that he’s not left on his own. Claude suddenly decides on a whim to go to Florida. What lies behind this sudden trip?
Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the other’s experiences, creating a bond that apparently can’t be broken.
Early 20th century England: while toasting his daughter Catherine’s engagement, Arthur Winslow learns the royal naval academy expelled his 14-year-old son, Ronnie, for stealing five shillings. Father asks son if it is true; when the lad denies it, Arthur risks fortune, health, domestic peace, and Catherine’s prospects to pursue justice.
This year, Santa’s daughter (Maria Thayer) takes her first trip away from the North Pole during the Christmas season hoping to find adventure and love in sunny California. While Santa watches his daughter through a magic snow globe, Annie arrives in L.A. and becomes friends with the owner of Candy Cane Inn, Lucy (Vivica A. Fox), and her daughter, Mia (Nay Nay Kirby). She also quickly lands a job at Wonderland Toys. Wonderland Toys’ owner, Ted (Sam Page) is struggling to stay in business selling old-fashioned toys in a digital world. Annie soon realizes that she wants Ted’s business to thrive because she has feelings for this Christmas traditionalist.
When a dutiful, albeit barren Christian housewife discovers that her devout husband has suffered a stroke at a sperm bank where he’s been secretly donating his seed for the past 25 years, she leaves her sheltered world and starts off on a journey to find his eldest biological son – a mullet-headed, foul-mouthed ex-con with whom she develops an odd but meaningful relationship.
Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.
