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When reporter Jean Craddock interviews Bad Blake — an alcoholic, seen-better-days country music legend — they connect, and the hard-living crooner sees a possible saving grace in a life with Jean and her young son. But can he leave behind an existence playing in the shadow of Tommy, the upstart kid he once mentored?
With John’s social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcée finally meets the woman of his dreams, only to discover she has another man in her life – her son. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it’s over.
The story bases on four Finnish brothers, nicknamed ‘the Eura Daltons’ who received nation-wide notoriety for tearing gas pumps apart when they needed cash. The cast is an impressive one: the brothers are portrayed by Peter Franzen, Lauri Nurkse, Niko Saarela and Jasper Pääkkönen while their really evil father is played by Vesa-Matti Loiri, one of the grand old men of Finnish cinema.
A serial killer, never caught, leaves clues and messages signed ‘BSP’ after quickly murdering each man but torturing his girl to death. His last case is an exception, the detective in charge finds his wife murdered while has pre-teen daughter had to watch. Thirty years later, she’s still obsessed by the case, which drove her dad insane, and a police detective herself. When the whole cycle starts again, she gets convinced it’s not BSP but an ambitious copy-cat, but he certainly outsmarts her every time. He also makes clear she’s to be his final kill. Meanwhile she alienates even colleagues with her arrogance and obsession, finally to be suspended as the FBI takes over