Quatermass is the director of an important scientific base, where he builds nuclear rockets for the colonization of the Moon. A strange fall of meteorites in a nearby village leads to the discovery of a huge base under a strict military control, officially a factory of artificial food. Quatermass reveals that the factory is actually breeding alien creatures.
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Amanda and her daughter live a quiet life on an American farm, but when the remains of her estranged mother arrive from Korea, Amanda becomes haunted by the fear of turning into her own mother.
A corporate risk-management consultant must determine whether or not to terminate an artificial being’s life that was made in a laboratory environment.
Niamh is the lone survivor of a bloody massacre after the furniture and objects in her family’s isolated house take on a monstrous life of their own. The police ignore her wild stories and the family friends and social worker who take her in try to introduce a new life. But in this psychological thriller, Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.
An alien takes the form of a young widow’s husband and asks her to drive him from Wisconsin to Arizona. The government tries to stop them.
Four girls go to a cabin in the woods, which is inhabited by evil. This cabin then ensnares them in a labyrinth of macabre as they must battle their way out.
2525 A.D. Man has colonized the stars. The wealthy and powerful implant their brains in cloned versions of themselves to gain immortality. As a side-effect, occasionally a clone develops mutant abilities. A clonehunter and his new partner have to track down a clone who threatens to destroy the planet unless the rich man he was cloned for gives him all his wealth.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
Medical researcher Frank, his fiancee Zoe and their team have achieved the impossible: they have found a way to revive the dead. After a successful, but unsanctioned, experiment on a lifeless animal, they are ready to make their work public. However, when their dean learns what they’ve done, he shuts them down. Zoe is killed during an attempt to recreate the experiment, leading Frank to test the process on her. Zoe is revived — but something evil is within her.
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.
