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Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
Approaching forty, Ferro is unsatisfied with his life as a construction worker and part-time boxing instructor in Los Angeles, CA. After a successful bout with a young pro boxer, Ferro decides to don the gloves one last time. The movie recounts his unlikely quest for Olympic gold.
Loving wife & mother Sarah is abducted by intelligent and forensically aware psychopath Nigel. The family and the police are subjected to a manipulation of the reality that surrounds them. Relating to the darkest side of the human character Flowerman also connects with both a spiritual aspect and a basic drive for survival.
After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), a grief-stricken British businessman, Ian Wyndham, living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.
Sarah Huttinger’s return home with her fiance convinces her that the sedate, proper, country-club lifestyle of her family isn’t for her – and that maybe the Huttinger family isn’t even hers – as she uncovers secrets that suggest the Huttingers are neither sedate nor proper.
Oh, Ramona! seeks the transformation of Andrew from a teenager into an adult who lives candidly and selflessly his first love story, innocent and uninvolved, alternating with the second, intense and insane story, incapable of making a choice. Oh, Ramona! is the cinematic rewriting of Andrei Ciobanu’s book “Suge-o, Ramona!”.
After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.
When Sarah Marshall dumps aspiring musician Peter Bretter for rock star Aldous Snow, Peter’s world comes crashing down. His best friend suggests that Peter should get away from everything and to fly off to Hawaii to escape all his problems. After arriving in Hawaii and meeting the beautiful Rachel Jansen, Peter is shocked to see not only Aldous Snow in Hawaii, but also Sarah Marshall.
Jane is a single mother dead set on protecting her teenage daughter Betsy from the harsh realities of life. When Betsy falls in love with an enlisted man, Jane tries her best to steer Betsy away from heartache. Little does Jane realize she and her daughter are about to learn important lessons of the heart and that taking chances can sometimes lead to the most extraordinary happy endings.
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.